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Names, dates, statistics, records, photographs – Namibia-based historian, Casper W. Erichsen, explains some of the factual evidence of the multiple atrocities that were part of the genocide in Namibia. At the end of the 19th century the rediscovery of... |+| lire l'article
Namibian-born Horst Kleinschmidt provides challenging observations and personal family history linked to the colonial era. Urging both Germany and German-speaking Namibians to confront their past honestly, he offers examples of apologies made in similar... |+| lire l'article
In his analysis of the failure over more than two decades to deal with the genocide, Alfredo Tjiurimo Hengari looks at the changing attitudes of Namibia’s SWAPO-led government and the role of the Namibian media as well as Germany’s evasive political... |+| lire l'article
In the critical reading of their exhibition ‘Faces of the African Renaisance’, Adetoun Küppers-Adebisi and Michael Küppers-Adebisi deconstruct German colonial genocide in Africa and contemporary, neo-colonial racism against people of African descent in... |+| lire l'article
Largely unnoticed by most Namibians, the local German-language daily Allgemeine Zeitung provides a forum for colonial apologetics. Reinhart Kössler and Henning Melber examine recent comments and readers’ letters in this newspaper, exposing the reactionary... |+| lire l'article
Statement by Chief Alfons Kaihepovazandu Maharero, Chairman of the Ovaherero/ Ovambanderu Council for the Dialogue on the 1904 Genocide (OCD-1904), on the Occasion of the ‘Requiem of the Martyrs’ at Heroes Acre, on October 05, 2011. Director of... |+| lire l'article
The Germans’ inhuman treatment of the Namibian delegation is only the most recent in a long history of injustice and disrespect towards African peoples. It is more than time, writes Saunders Jumah, for Africans to stand together, demand fair and equal... |+| lire l'article
African cinema, Namibia based film activist Hans-Christian Mahnke writes, is an expression of a cultural identity, African cinema is the search for an own specific style and a way to overcome alien influences. In addition, African cinema plays... |+| lire l'article
Prinz Kum'a Ndumbe III. eröffnete mit diesem Beitrag das Symposium ,,Theologie interkulturell" 2011 zur Spiritualität in Afrika seit Urzeiten (150.000 Jahre), zum spirituellen Beitrag Afrikas seit Enoch und der Sinnflut und nahm Stellung zur modernen... |+| lire l'article
A l'occasion du 56è synode de l'Eglise Evangélique du Cameroun du 1er au 3 mars 2012 à Douala, le Prince Kum'a Ndumbe III interpelle dans une lettre les chrétiens, mais aussi les autres croyants pour une réflexion profonde sur les... |+| lire l'article
In this article, Kwame Opoku reviews the latest book by James Cuno "Museums Matter - In praise of the Encyclopedic Museum". Cuno, he writes, has clearly and consciously decided not to tackle any of the issues relating to the acquisition,... |+| lire l'article
The damnation of the world’s majority that Frantz Fanon spoke about did not end with the withdrawal of formal colonial rule. It continues in the razor wire transit camps, detention zones, rural pauperisation and in shanty towns, writes Nigel C Gibson.
“Juju Factory” provides an adroit analysis of issues of immigration and integration. The film brilliantly questions ideas of “authentic” representations of “Africaness,” introducing a complex cinematic language that shows how contemporary African film... |+| lire l'article