Projects in Namibia
This page features the latest news about the projects implemented by the Namibian section of AfricAvenir. Since 2007, AfricAvenir is concentrating on the organisation of a film series named "African Perspectives" which we organise in cooperation with the Goethe-Centre and other institutions. Until June 2012 the screenings of ths film series took place in studio 77 and are now shown in the Goethe-Centre.
AfricAvenir Interview with Director Camille Mouyeke (Voyage à Ouaga), 16 May 2011, Windhoek
Director Camille Mouyeke was born 1962 in Congo. He studied Cinema at the University of Paris VIII and obtained a Masters in film school in 1993. He made many short films, like “Police Violence” (1993), “The Fire Proof” (1995), and “The Mavericks” (1998),... |+| read article
Windhoek: Screening of "Voyage à Ouaga" in Attendance of Director Camille Mouyeke on Sat 21 May 2011, 19h at Goethe-Centre
On Saturday, 21. May, 2011, 19h AfricAvenir in cooperation with Allison Productions, OptiMedia, the Congolese Embassy in Namibia, and the Goethe-Centre/NADS is proud to present “Voyage a Ouaga” in attendance of director Camille Mouyeke (Congo),... |+| read article
"African Perspectives" Windhoek: Baara– The Porter by Souleymane Cissé, 28 May 2011, 19h
In the framework of the monthly filmseries “African Perspectives”, AfricAvenir Windhoek presents the movie “Baara– The Porter” on Saturday, 28 May 2011, 19h00 at Studio 77, Old Breweries Complex, entrance via Garten Str., Entrance: 20,- N$. In... |+| read article
Press Release: Namibian Movie Collection now available in Berlin
In 2009, the Franco Namibian Cultural Centre, Joe Vision Production, and AfricAvenir Windhoek, launched the Namibian Movie Collection, NMC, consisting initially of 24 Namibian films. The NMC is part of a wider project to promote and develop Namibian... |+| read article
Open letter to the MYNSSC, MICT, NBC, One Africa: Filmmaking as a interpretation of historical events : The return of the Namibian skulls to Namibia in 2011
History is always an exercise in looking back through glasses clouded with the dirt of our present moment. Despite differences, both historians and filmmakers approach the materials of the past with one major similarity. Both possess attitudes, assumptions,... |+| read article
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