{"id":987,"date":"2013-03-20T14:20:00","date_gmt":"2013-03-20T13:20:00","guid":{"rendered":"https:\/\/www.africavenir.com\/german-premiere-of-lidentite-nationale-national-identity-original-with-english-subtitles-in-presence-of-director-valerie-osouf-sunday-21-april-2013-1700-hackesche-hoefe-cin\/"},"modified":"2023-10-06T11:30:55","modified_gmt":"2023-10-06T09:30:55","slug":"german-premiere-of-lidentite-nationale-national-identity-original-with-english-subtitles-in-presence-of-director-valerie-osouf-sunday-21-april-2013-1700-hackesche-hoefe-cin","status":"publish","type":"post","link":"https:\/\/www.africavenir.org\/en\/german-premiere-of-lidentite-nationale-national-identity-original-with-english-subtitles-in-presence-of-director-valerie-osouf-sunday-21-april-2013-1700-hackesche-hoefe-cin\/","title":{"rendered":"German Premiere of \u201eL&#8217;identit\u00e9 Nationale\u201c (National Identity, Original with English subtitles) in presence of director Val\u00e9rie Osouf, Sunday, 21 April 2013, 17:00, Hackesche H\u00f6fe cinema, Berlin"},"content":{"rendered":"<p><b>On Sunday, 21 April 2013, 17:00<\/b>, AfricAvenir is inviting you to the German premiere of the documentary <b>\u201eL&#8217;identit\u00e9 Nationale\u201c<\/b> (Original French Version with English Subtitles) with director <b>Val\u00e9rie Osouf<\/b> at Hackesche H\u00f6fe cinema. For more than 30 years, a public discourse defined by racist resentments has influenced the public debate about immigration and identity in France. In her documentary, Val\u00e9rie Osouf gives those people a voice who are personally affected by the consequences of this discourse. Detainees who have received a so-called \u201c<b>double peine<\/b>\u201d, a double punishment. They have not only been imprisoned for committing a crime, but also due to their <b>status as \u201cforeigners\u201d<\/b>, caught <b>at the nexus between criminal law and the alien laws<\/b>. The film analyses the complex interrelations between the police, judiciary, prisons and prefectures, raising questions about the relations between the French state and its \u201cforeigners\u201d.nThe screening will take place in cooperation with RFI and Berlin Poche and will be followed by a <b>discussion with the director Val\u00e9rie Osouf<\/b>, and a small reception in the cinema foyer.n<span style=\"color:; \"><b><iframe loading=\"lazy\" width=\"495\" height=\"278\" src=\"http:\/\/www.youtube.com\/embed\/oHjcoDMokSM\" frameborder=\"0\" allowfullscreen><\/iframe><\/b><\/span>n<b>More about the Movie and Streaming:<\/b>n<link http:\/\/www.vodeo.tv\/documentaire\/l-identite-nationale - external-link-new-window \"Opens external link in new window\">http:\/\/www.vodeo.tv\/documentaire\/l-identite-nationale<\/link> <link http:\/\/www.harmattantv.com\/videos\/film-%28vod-dvd%29-2588-L-Identite-Nationale-DOCUMENTAIRES.html - external-link-new-window \"Opens external link in new window\">http:\/\/www.harmattantv.com\/videos\/film-%28vod-dvd%29-2588-L-Identite-Nationale-DOCUMENTAIRES.html<\/link> <link http:\/\/lidentitenationalelefilm.wordpress.com\/ - external-link-new-window \"Opens external link in new window\">http:\/\/lidentitenationalelefilm.wordpress.com\/<\/link>n<b>Background<\/b><br \/>L\u2019Identite Nationale (National Identity) dramatises the attempt to resist the discourse on immigration that has gradually corrupted the French body politic over the last 30 years, reaching its zenith under the presidency of Nicolas Sarkozy (2007 \u2013 2012). In this resistance, L\u2019Identite Nationale proposes to listen to a number of \u2018speech acts\u2019 (paroles) by those who have experienced first hand the effects of the governing discourse on immigration. These rarely herd speech acts are here granted the necessary time for them to shape themselves, articulate responses to others and perhaps challenge the governing discourse.nThe voices attended to in L\u2019Identite Nationale are those of people rarely heard in the cinema: ex-prisoners, who have served double sentences, first for a particular criminal offence and secondly in virtue of their status as foreign nationals, trapped as they are by the interface and significant overlap between criminal law and immigration law. (Contrary to Sarkozy\u2019s announcement in 2003, this unjust penal sanction is still in place.)nThe speech acts of those who have suffered the effects of the discourse on immigration are juxtaposed with those of elected politicians, Criminal Justice System professionals and researchers. Taken collectively, these speech acts reciprocally complement and confirm each other, cross over and begin to delineate the contours of what the British have come to call a system of \u2018institutional racism\u2019. &nbsp;This could just as readily bear the name State Xenophobia \u2013 a sentiment that traverses and negatively informs some of the institutional geographies of our Republic: Police, Courts, Prefectures and Prisons \u2013 in its treatment of those defined as \u2018other\u2019.nL\u2019Identit\u00e9 Nationale begins with a personal narrative often explored in fiction \u2013 that of the break in. Here, the \u2013 true \u2013 story of a break in, is told by a particular narrator, who arrived in France aged 13 and at [the time he committed the crime] [the age of \u2026] [did] [still does] not hold French nationality. From this starting point the film goes on gradually to unfold the paradoxes of the major principles we have inherited from the Enlightenment.nBy reflecting on the contradictory relationship that our Nation-State maintains with the Foreigner \u2013 both constitutive and excluded \u2013 L\u2019Identite Nationale invites us to redefine our status as citizens and to question the shape as well as the foundations of French identity.nSuch questioning is likely to affect spectators well beyond French borders, in all nation-states where identity is constituted through exclusion \u2013 an exclusion of unlimited duration&#8230;n<b>The film\u2019s director says<\/b><br \/>\u201e<i>The foreign detainees are extremely marginalised in our society. \u201eL&#8217;identit\u00e9 Nationale\u201c tries to bridge the gap between \u201cus\u201d and \u201cthem\u201d and poses very personal as well as civic questions about our institutions and what we are prepared to accept<\/i>.\u201dn<b>Critical acclaim <\/b><br \/>\u201c<i>If we fail to consider the plight of foreigners, if we fail to perceive what our laws can result in, we begin to lose sight of how low our democracy has fallen<\/i>.\u201d &nbsp;M. Gaboriau, Magistrate<span style=\"white-space:pre\">\t<\/span>n\u201e<i>This movie does not pretend to be neutral, which would be an illusion anyway. It is entirely committed and does not try to hide this fact. But its arguments are highly convincing, they are logical and deeply humane. They denounce the regression of criminal law, caused by the avalanche of immigration laws, which intentionally robs foreigners of any chance to become upright citizens<\/i>.\u201d (Olivier Barlet, Africultures)&nbsp;n\u201c<i>The topic of Val\u00e9rieOsouf\u2019s film goes beyond the issue of so-called \u201cdouble punishment\u201d. Her goal is to trace the history of immigration to France, through the prism of the prison system. In this movie, we stand in line in front of the immigration office with the contemporary witnesses, we speak to prisoners who have just been discharged, but also to an illegal immigrant from Senegal who is in prison and whose only offence was to illegally enter France<\/i>.\u201d (Clapnoir)n\u201e<i>This film displays great depth in its analytical reflections. It is full of passion, cutting back and forth between the victims and the experts, thereby finally giving this issue shape and form and shedding light on links that were hitherto entirely ignored (\u2026) This is a truly great and thoughtful documentary which has definitely provided me with insights about my own national identity. Entirely worth watching<\/i>.\u201d (viewer, Telerama)n\u201e<i>Congratulations to Val\u00e9rieOsouf for making this documentary that treats the true and striking accounts of its witnesses with sensibility.She really listened to the people. &nbsp;Excellent editing and brilliant background plot. This film should definitely be shown on public television<\/i>.\u201c (viewer, Telerama)n\u201e<i>A very valuable movie that puts more than thirty years of French immigration policies into the right perspective and gives shape and form to what is usually only presented to us as numbers, administrative guidelines and applications. The film draws our attention to this blind spot in our society, namely the prison, and simultaneously helps us remember certain truths (No! France is not a country with a high percentage of foreigners\u2026) (\u2026) The movie denounces the political strategy of turning foreigners into criminals<\/i>.\u201d (viewer, Telerama)n\u201e<i>Many thanks to Val\u00e9rie Osouf for making this movie, and for her sharp-sightedness. The testimonies and interventions are remarkably accurate. The question who is French and who is allowed to be is the big question in this republic. (\u2026) A must-see!<\/i>\u201d(viewer, Telerama)n<b>About the director Val\u00e9rie Osouf<\/b><br \/>After studying history, Val\u00e9rie Osouf moved to Senegal for five years, where she shot the movie \u201eSans Commentaire \u2013 The country that one never arrives in\u201d with Senegalese immigrants who had been deported from France. In Dakar she wrote her master\u2019s thesis in journalism about film distribution in West Africa. At the time she was already working for the newspaper Le Monde and for the radio stations RFI and Sud FM. In her following movies she has focused on the contemporary consequences of colonialism. In 2008, her film \u201eCameroon \u2013 Autopsy of an independence\u201c dealt with France\u2019s secret colonial war in Cameroon. At the same time, she developed the script for \u201cGuns of Brixton\u201d about the London riots of 1981. In 2009 she co-founded the production company \u201cGranit Films\u201d in France, together with the multi-award winning film makers Newton Aduaka and Alain Gomis. \u201eL\u2019Identit\u00e9 Nationale\u201c is her first feature length movie. n<link http:\/\/www.granitfilms.com - external-link-new-window \"Opens external link in new window\">www.granitfilms.com<\/link>nIdentit\u00e9 Nationale (National Identity)Documentary, France&nbsp;2012, 95 Min., OenglSDirector: Val\u00e9rie Osoufn<b>Sunday, 21. April 2013, 17h00<br \/>Entrance: 7,50\u20ac<br \/><\/b><b>Discount via Berlinpass, Gildepass, Heavy User Card, Filmreihe-Pass<\/b><\/p>\n<p><b>Tickets und Information<br \/>030 283 46 03<\/b><link http:\/\/www.hackesche-hoefe.org>www.hackesche-hoefe.org<\/link>&nbsp; <\/p>\n<p><b>Hackesche H\u00f6fe Kino<\/b><br \/>Rosenthaler Str. 40\/41<br \/>10178 Berlin<br \/>S Hackescher Markt<br \/>U Weinmeisterstra\u00dfe<\/p>\n<p><b>Support our projects with a donation:<\/b><br \/>AfricAvenir International e.V.<br \/>Badische Beamtenbank<br \/>BLZ 66 09 08 00<br \/>Kto 00 16 72 13 03<\/p>\n<p><b>Further Information:<\/b><link http:\/\/www.africavenir.org>www.africavenir.org<\/link>\n","protected":false},"excerpt":{"rendered":"<p>On Sunday, 21 April 2013, 17:00, AfricAvenir is inviting you to the German premiere of the documentary \u201eL&#8217;identit\u00e9 Nationale\u201c (Original French Version with English Subtitles) with director Val\u00e9rie Osouf at Hackesche H\u00f6fe cinema. For more than 30 years, a public discourse defined by racist resentments has influenced the public debate about immigration and identity in&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[85,106,107],"tags":[],"class_list":["post-987","post","type-post","status-publish","format-standard","hentry","category-events","category-filme","category-kolonialismus-und-dekolonisierung"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>German Premiere of \u201eL&#039;identit\u00e9 Nationale\u201c (National Identity, Original with English subtitles) in presence of director Val\u00e9rie Osouf, Sunday, 21 April 2013, 17:00, Hackesche H\u00f6fe cinema, Berlin &#8211; AfricAvenir International e.V.<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.africavenir.org\/en\/german-premiere-of-lidentite-nationale-national-identity-original-with-english-subtitles-in-presence-of-director-valerie-osouf-sunday-21-april-2013-1700-hackesche-hoefe-cin\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"German Premiere of \u201eL&#039;identit\u00e9 Nationale\u201c (National Identity, Original with English subtitles) in presence of director Val\u00e9rie Osouf, Sunday, 21 April 2013, 17:00, Hackesche H\u00f6fe cinema, Berlin &#8211; AfricAvenir International e.V.\" \/>\n<meta property=\"og:description\" content=\"On Sunday, 21 April 2013, 17:00, AfricAvenir is inviting you to the German premiere of the documentary \u201eL&#8217;identit\u00e9 Nationale\u201c (Original French Version with English Subtitles) with director Val\u00e9rie Osouf at Hackesche H\u00f6fe cinema. 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