{"id":868,"date":"2013-12-01T21:32:00","date_gmt":"2013-12-01T20:32:00","guid":{"rendered":"https:\/\/www.africavenir.com\/berlin-premiere-of-the-award-winning-moroccan-movie-les-mecreants-the-miscreants-with-director-mohcine-besri-in-attendance-thursday-12-december-2013-at-8-pm-hackesche-hoefe-kino\/"},"modified":"2023-10-06T11:30:15","modified_gmt":"2023-10-06T09:30:15","slug":"berlin-premiere-of-the-award-winning-moroccan-movie-les-mecreants-the-miscreants-with-director-mohcine-besri-in-attendance-thursday-12-december-2013-at-8-pm-hackesche-hoefe-kino","status":"publish","type":"post","link":"https:\/\/www.africavenir.org\/fr\/berlin-premiere-of-the-award-winning-moroccan-movie-les-mecreants-the-miscreants-with-director-mohcine-besri-in-attendance-thursday-12-december-2013-at-8-pm-hackesche-hoefe-kino\/","title":{"rendered":"Berlin Premiere of the Award-Winning Moroccan Movie \u201cLes M\u00e9cr\u00e9ants\u201d (The Miscreants) with Director Mohcine Besri in Attendance, Thursday, 12 December 2013 at 8 pm, Hackesche H\u00f6fe Kino"},"content":{"rendered":"<p><b><\/b>AfricAvenir&nbsp; e.V. would like to invite you to the <i>Hackesche H\u00f6fe Cinema<\/i> to the <b>Berlin Premiere of the award-winning movie \u201eLes M\u00e9cr\u00e9ants\u201d (The Miscreants, Original Arabic with German Subtitles)<\/b> in the presence of the Moroccan director <b>Mohcine Besri<\/b> on <b>Thursday, 12 December at 8 pm<\/b>.&nbsp;<b><\/b>On the order of their spiritual leader, three young Islamists kidnap a  group of actors who are about to go on tour with their latest show. When  the kidnappers arrive at the place of detention, they find themselves  cut off from their base. Ensues a 7-day no exit situation, in which both  sides are forced to live together, confront each other and challenge  their mutual prejudices&#8230;<\/p>\n<p><i>\u201cThis \u201cclosed society\u201d refrains consciously from any caricature or  black and white thinking. Because of the confrontation of the  unstoppable libertarian elan with the religious obscurantism he deals  with the \u201cArab spring\u201d and at the same time defends an important  ontological principle: The value of a human being cannot be measured on  hand of his beard or her mini skirt.\u201d Antoine Duplan, Le Temps, Suisse<\/i>nFollowing the screening there will be an audience talk with director Mohcine Besri as well as a small reception in the foyer of the cinema.<\/p>\n<p>With support from Brot f\u00fcr die Welt \u2013 Evangelischer Entwicklungsdienst and from Engagement Global with resources of the BMZ and in cooperation with Africin\u00e9, Allacine, dem Club der Freunde von RFI, Berlin Poche, <link http:\/\/www.rendez-vous-cine.de\/><i>|+| rendez-vous-cine.de<\/i><\/link>, Exberliner, multicult.fm, Art Labour Archives, Humboldt Universit\u00e4t, Zentrum Moderner Orient and Plan\u00e8te M\u00e9tis.n<span style=\"color:; \"><b><iframe loading=\"lazy\" width=\"495\" height=\"278\" src=\"\/\/www.youtube.com\/embed\/34BKIrhGGiI\" frameborder=\"0\" allowfullscreen><\/iframe><\/b><\/span><\/p>\n<p><b>Regisseur Mohcine Besri \u00fcber seinen Film: <\/b><br \/><i>\u201eOn the one side &#8230; men who can\u2019t stand their daily conditions and  the absence of a better future\u2019s perspective, lost within Morocco, a  country in total upheaval trying to embrace modernity; that modernity  they refuse and oppose vehemently, shutting themselves off in religious  obscurantism. On the other side&#8230; men and women, from respective  backgrounds, bearing the same lot, fighting the same corruption, but to  whom modernity is neither a gadget, nor a political tagline.Taking  advantage of the glimpse of freedom trickling from the country\u2019s  changes, their cultural activism is not more efficient than the former\u2019s  religious extremism, but by acting openly, it is (nevertheless)  beneficial. <\/i>n<i>These two sides don\u2019t usually get to truly meet, their respective  prejudice against their opponents preventing each to see the human being  under the long beard or the mini-skirt. The Miscreants proposes such a  meeting; with seven days of forced proximity, certainty invariably leads  to doubts, because they are each unique human beings, and mostly  because their common denominator outweighs their differences. <\/i>n<i>The Miscreants offers an inventory on the eve of a certain Arabic  Spring, which to me is only a logical follow-up, in countries where  people, like everywhere else, only aspire to one single thing, live in  peace with dignity.&quot;<\/i><\/p>\n<p><b>Pressestimmen<\/b><br \/><i>\u201eA drama staged with a lot of humanity and which skillfully plays  with the ambiguity of good and bad. So skillfully that one can only be  astonished that this is the first feature movie by Mohcine Besri.\u201d  Pascal Gavillet, Tribune de Gen\u00e8ve <\/p>\n<p>\u201cLes M\u00e9cr\u00e9ants, on the other  hand, turns out to be an excellent psycho thriller, infused with a well  constructed suspense curve. More than anything, Mohcine Besri\u2019s merit is  that he avoided any black and white categorization in his portrait \u2013 in  this way even the title of the movie is ambiguous because it can  describe the godless actors as well as the misdirected Muslim  fundamentalists.\u201d Mathieu Loewer, Le Courrier, Switzerland<\/p>\n<p>With  the entire group stranded in a secluded countryside dwelling while the  fundamentalists wait for instructions from their superiors, Besri has  the opportunity to contrast the very different personalities of both  groups. Driven to think that they\u2019ll in all likelihood be killed, the  actors examine their priorities and try to reason with their captors in  well-written dialogues that transcend their simple ideological divides.  Its sympathy lies clearly with the thespians, but The Miscreants doesn\u2019t  paint the religious radicals as simple nutcases but imbues them with  real personalities. Though clearly a film of ideas, Besri doesn\u2019t  neglect the visual side either, with camera work that is quite loose and  follows the dynamics as they develop.&quot; Boyd Van Hoeij, Cineuropa<\/p>\n<p>\u201eAn almost Becket-like Huis-Clos\u201c<br \/>Sarah Haidar, alg\u00e9rie news<\/p>\n<p>\u201eLes  M\u00e9cr\u00e9ants, a courageous movie which, in a new manner, deals with the  topic of intellectual terrorism which became part of everyday life.\u201d Le  journal Al Itihad, Abu Dhabi<\/p>\n<p>\u201cLes M\u00e9cr\u00e9ants, a movie which  questions us and invites you to question your prejudices. Because of its  courage this movie will be disturbing all those who think they detain  absolute truths.\u201d Doaa Sultane, Tahrir news, Egypte.<\/i>n<b>\u00dcber den Regisseuren<\/b><br \/>Born in Meknes, Morocco in 1971, Mohcine Besri studied Physics and  Chemistry at the Faculty of Rabat, while making his first steps in the  arts by playing small parts in various movies. He later left to  Switzerland where he completed his bachelor degree in Computer Science  and worked in finance, before becoming a mathematics teacher. In  parallel, he pursued his passion for cinema and became a script writer  and director. Further to several experiences as Assistant Director, he  directed two short films, was a co-writer of \u201cOperation Casablanca\u201d with  Swiss director Laurent N\u00e8gre, before writing his first feature film  \u201cLes M\u00e9cr\u00e9ants\u201d.<\/p>\n<p><b>Preise<\/b>n<\/p>\n<ul>\n<li>Best first Feature, National Film Festival, Tangier, Morocco 2012<\/li>\n<li>Special mention of the jury, FAMECK, France 2012<\/li>\n<li>Special mention of the jury, Cin\u00e9days, festival of european films, 2012<\/li>\n<li>Best Arab film, Cario international film festival, 2012<\/li>\n<li>The Jury Award, Malm\u00f6 Arab Film Festival 2013<\/li>\n<li>The Jury Award, Oran Arab Film Fesival&nbsp; 2013<\/li>\n<\/ul>\n<p>n<b>Berlin premiere<br \/><\/b>Les M\u00e9cr\u00e9ants (The Unbelievers, original with German subtitles)<br \/>Mohcine Besri, feature, Morocco\/Switzerland, 2012, 88 min., original Arabic with German subtitles<br \/>With: Jamila El Haouni, Maria Lalouaz, Omar Lotfi, Amine Ennaji, Abdenbi El BeniOUi, A\u00efssam Bouali, Rabii Benjhail, Mostapha El Houari<\/p>\n<p><b>Thursday, 12 December 2013, 8 pm<br \/>Admission: 7,50\u20ac<br \/>Tickets Reservation: 030\/283 4603<\/b><br \/><b>Discounts: Berlinpass, Gildepass, Heavy User Card (5 or 10-visits-tickets can be shared among two persons), Film Series-Pass<\/b><\/p>\n<p><b>Hackesche H\u00f6fe Kino<\/b><br \/>Rosenthalerstr. 40\/41<br \/>10187 Berlin<br \/>S Hackescher Markt<br \/>U Weinmeisterstra\u00dfe<\/p>\n<p><b>Support our projects with a donation:<\/b><br \/>AfricAvenir International e.V.<br \/>Badische Beamtenbank<br \/>BLZ 66 09 08 00<br \/>Kto 00 16 72 13 03<\/p>\n<p>Further information:<link http:\/\/www.africavenir.org>www.africavenir.org<\/link> <link http:\/\/www.africavenir.org\/ - external-link-new-window \"Opens external link in new window\"><\/link>\n","protected":false},"excerpt":{"rendered":"<p>AfricAvenir&nbsp; e.V. would like to invite you to the Hackesche H\u00f6fe Cinema to the Berlin Premiere of the award-winning movie \u201eLes M\u00e9cr\u00e9ants\u201d (The Miscreants, Original Arabic with German Subtitles) in the presence of the Moroccan director Mohcine Besri on Thursday, 12 December at 8 pm.&nbsp;On the order of their spiritual leader, three young Islamists kidnap&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[85,106,107],"tags":[],"class_list":["post-868","post","type-post","status-publish","format-standard","hentry","category-events","category-filme","category-kolonialismus-und-dekolonisierung"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Berlin Premiere of the Award-Winning Moroccan Movie \u201cLes M\u00e9cr\u00e9ants\u201d (The Miscreants) with Director Mohcine Besri in Attendance, Thursday, 12 December 2013 at 8 pm, Hackesche H\u00f6fe Kino &#8211; 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