{"id":887,"date":"2013-11-01T16:20:00","date_gmt":"2013-11-01T15:20:00","guid":{"rendered":"https:\/\/www.africavenir.com\/german-premiere-toussaint-louverture-with-director-philippe-niang-in-attendance-sunday-24-november-2013-17h00-hackesche-hoefe-kino\/"},"modified":"2023-10-06T11:30:27","modified_gmt":"2023-10-06T09:30:27","slug":"german-premiere-toussaint-louverture-with-director-philippe-niang-in-attendance-sunday-24-november-2013-17h00-hackesche-hoefe-kino","status":"publish","type":"post","link":"https:\/\/www.africavenir.org\/fr\/german-premiere-toussaint-louverture-with-director-philippe-niang-in-attendance-sunday-24-november-2013-17h00-hackesche-hoefe-kino\/","title":{"rendered":"German Premiere: \u201eToussaint Louverture\u201c with Director Philippe Niang in Attendance, Sunday, 24 November 2013, 17h00, Hackesche H\u00f6fe Kino"},"content":{"rendered":"<p>On <b>Sunday 24 Novembre 2013 at 17h00<\/b> AfricAvenir invites you to the <b>German Premiere of the fiction film \u00ab Toussaint Louverture \u00bb<\/b> by french-senegalese director Philippe Niang, the long overdue first fiction ever made about the man who, born into slavery, became a General in the French army and even defied Napoleon\u2019s power by making his homeland, Ha\u00efti, the <b>first independent Black State in the world<\/b>, an abolitionist and anti-colonialist State. In three hours, director Philippe Niang draws a <b>breathtaking historical epic<\/b> which perfectly translates the complex personality of the hero of Haitian independence and of the liberation of Black peoples.<\/p>\n<p><i>\u201cDirector Philip Niang craftfully weaves the dynamic story of this emblematic and universal hero in a comprehensive, two-part drama, keeping you on the edge of your seat (&#8230;) This is a must-see for people of all origins.\u201d Suzanne Gregoire, The Sentinel<\/i><\/p>\n<p>This three-hour screening will be opened by the <b>Charg\u00e9 d\u00b4Affaires of the Embassy of the Republic of Haiti, Monsieur Patrick Saint-Hilaire<\/b>. Due to the length of the film, it will be separated into two parts by a brief intermission and followed by a <b>discussion with director Philippe Niang<\/b> and the <b>producers France Zobda &amp; Jean-Lou Monthieux<\/b> as well as by a small reception. <i>The film is screened in French and Haitian Creole with English subtitles.<\/i><\/p>\n<p><i>Supported by Brot f\u00fcr die Welt \u2013 Evangelischer Entwicklungsdienst, Rosa-Luxemburg-Foundation, Embassy of Ha\u00efti in Berlin and Zentrum Moderner Orient. In cooperation with: Club des Amis de RFI, Berlin Poche, <link http:\/\/www.rendez-vous-cine.de\/ - external-link-new-window \"Opens external link in new window\">|+| rendez-vous-cine.de<\/link>, Exberliner, multicult.fm, Art Labour Archives, Research Group Cosmopolitan Film Cultures (Dr. Markus Heide, Department of English and American Studies) at Humboldt University, AFROTAK TV cyberNomads, Plan\u00e8te M\u00e9tis, <\/i><i>Africin\u00e9, Allacine, Initiative Schwarze Menschen in Deutschland (ISD), AFROTAK TV cyberNomads, Lateinamerika Forum Berlin, Forschungs- and Dokumentationszentrum Chile-Lateinamerika (FDCL).<\/i><\/p>\n<p><b>Synopsis<\/b><br \/>We are at the end of the 18th century. The French revolution is brewing. All parts of the French territory are affected. An island, Saint-Domingue which will later become Ha\u00efti, thanks to one man, will take its destiny into its own hands. This man is Toussaint Louverture. A strong character imbued by democratic convictions and convinced by the values and potential new benefits of the nascent republic, he joins France after having fought with the Spanish, the British and after having refused the alliance with the American States. Some years later, he will even defy Napoleon\u2019s power and will enable his homeland, Ha\u00efti, to become the first independent Black State in the world, an abolitionist and anti-colonialist State. From his prison at Fort de Joux, it is himself who will analyse with wisdom his own behaviour in the context of each situation. Not easy for this man who had to take and assume alone his often difficult decisions in an ambiguous historic and political context\u2026 Here is the story of a man who fought all his life against colonialism and slavery.n<span style=\"color:; \"><b><iframe loading=\"lazy\" width=\"495\" height=\"278\" src=\"\/\/www.youtube.com\/embed\/5o28XfUhs9s\" frameborder=\"0\" allowfullscreen><\/iframe><\/b><\/span><\/p>\n<p><b>Press Reviews<\/b><br \/><i>\u201cThe breathtaking epic entirely lives up to the symbol it pays tribute to: Toussaint Louverture (1743-1803) (&#8230;) by dedicating him two prime time evening slots, France2 gives a strong visibility to this barely known hero of French history. (&#8230;) Both intense and easy dialogue lines, the high quality of interpretation especially of the main characters, the scenery and costumes\u2026 All elements are in place.\u201d Le Monde<\/p>\n<p>\u201cThe film by Philippe Niang is faithful to what has been remembered of Toussaint Louverture &#8211;&nbsp; Fran\u00e7ois-Dominique Toussaint of his true name \u2013 spectacularly interpreted here by Haitian actor Jimmy Jean-Louis. We can be thankful to the producers to have avoided a one-sided bashing of the colonial system reigning at the time in the European colonies. Far from making Louverture a strictly heroic figure, Philippe Niang uses three hours to construct a complex character, at prey to doubts, often uncompromising, and who would also not escape making ambiguous political choices.\u201d L&rsquo;Histoire, Bruno Calv\u00e8s<\/p>\n<p>\u201cSomething of a throwback to the epic historical minis of the 1980\u2019s, Louverture is sweeping, melodramatic, and ennobling in a very satisfying way. As one might expect, Jimmy Jean-Louis\u2019s dynamic lead performance is the key. He is suitably intense, without allowing Louverture to degenerate into a fire-breathing revolutionary stereotype. Likewise, Philippe Caroit genuinely humanizes the French old guard as the decidedly un-Legree-ish Bayon (&#8230;) A French television veteran, Niang\u2019s tele-movie Prohibited Love (which screened at the 2010 ADIFF) also dealt with racial themes pointedly, but without wallowing in didacticism. Louverture is even better. \u00bb Joe Bendel, Libertas Film Magazin<\/p>\n<p>It indeed needed twice 90 minutes to shoot this extraordinary chapter of history, little known by French people due to it\u2019s being superseded by the military exploits of&nbsp; the Napoleonian era, which, let\u2019s recall this fact, reinstituted slavery in the colonies. The casting choices are sometimes questionable and the script, in sometimes opting for too hastily shortcuts misses out on explaining how the liberated slave transformed into the natural leader of his people. However, this does not in any way undermine the value of the performance of starring Jimmy Jean-Louis, who is able to restore the nobility and ardour of the personality. The dazzling production flatters the noble and chivalric side of Toussaint Louverture, who fought side by side with the Spanish and British and refused the alliance with the American States before joining France, which in the end caused his defeat. This fiction sometimes recalls the Roots-Saga, which will please the fans of the genre.\u201d Gert-Peter Bruch, Culture Club<\/p>\n<p>\u201cToussaint Louverture does a very good job in illustrating the complex thicket of racial politics and strategic alliances that went into the process of Ha\u00efti\u2019s independence. Also, Jimmy Jean-Louis is a riveting presence as Louverture, and brings an impressive sense of gravity and a sense of the human being behind the historical figure.\u201d Christopher Bourne Blog<\/p>\n<p>\u201cWhat strikes most and is quite well translated into the film is that Toussaint\u2019s was a journey strewn with obstacles. The situation was not as simple as the Whites on one side and the Blacks on the other, but there were numerous rival factions. Their treasons, their contradictory actions caused his defeat and capture. Be it as it may, before his miserable ending in a freezing cell of Fort de Joux in the Jura Mountains, Toussaint had nevertheless laid the foundations of a future State, which still exists today ( despite endemic poverty), freed once and for all of slavery and colonialism. A real&nbsp; exploit in 1800.\u201d Vincent Ostria, Les Inrockuptibles<\/p>\n<p>\u201cHowever, Toussaint\u2019s life possesses all the twists and turns necessary to any good fiction: born a slave in Saint-Domingue in 1743, he is liberated by his master at the age of 33, learns to read and write and later takes the lead of the rebellion of his people by first joining the Spanish and later returning to the French camp. All these peripeties are explained with clarity and pedagogy in this TV drama filmed in the landscapes of Martinique.\u201d Jos\u00e9phine Lebard<\/i><\/p>\n<p><b>The Team about the Film :<br \/>Philippe Niang<\/b><br \/><i><i>&quot;This film allows to enlighten the public in a positive way on <\/i>Ha\u00efti, particularly after the earthquake, and <\/i><i>also <\/i><i>to recall some historic realities: for example, that this &quot;pearl of the Antilles&quot; has made France rich (&#8230;)<\/i><i>&quot;<\/i>n<b>Jimmy Jean-Louis (Toussaint Louverture)<\/b><br \/><i>Toussaint was omnipresent during my childhood in Ha\u00efti : at school we of course also learned the story of Toussaint who led his people to freedom. For the great majority of the Black people and for me, he is a hero. Toussaint is extremely important not only in Ha\u00efti, but also in&nbsp; the world because he gave birth to the first Black Republic. (&#8230;) I was thus very happy and also honoured by France Zobda et Jean-Lou Monthieux\u2019s proposal to be part of this project. I could only say \u2018yes\u2019, despite the huge pressure that rested on me for this first fictional incarnation on TV of Toussaint Louverture. From the beginning, I was very conscious of the fact that every gesture, every word, its pronunciation, my costume, everything would be scrutinised. This responsibility, I had to assume it. I nevertheless went through some difficult times with the character because he is multifaceted: slave, then liberated, General, Governor, and finally a lonely, feeble and humiliated person. I had to get into the state of mind of a different person at each of these stages. (&#8230;) I sincerely wish that the audience finally recognises this man who has fought for freedom his entire life. Then, if the film encourages people to find out more about the Haitian revolution \u2013 which in some way has been the equivalent of the French revolution \u2013 and about Ha\u00eft\u2019s history in general, it would of course be fantastic. (&#8230;) I would like people to see other images of this island than the persistently negative images that they know.\u201d<\/i><\/p>\n<p><b>France Zobda (Producer)<\/b><br \/><i>\u201cSince ten years, our production company Eloa Prod realises projects which speak of those parts of our history which are related to different cultures, which are hardly visible although so complimentary of France\u2019s richness.&nbsp; (&#8230;) Through this film, we also wanted to pay tribute to this important figure of French history, who achieved what seemed inaccessible at his epoch: Freedom for his people. (&#8230;) It is a controversial figure of France\u2019s history: a former slave who became a Governor and even dared defy Bonaparte and demand the freedom of Saint-Domingue, his homeland ! This French colony, the richest of all, would then gain independence under the name of Ha\u00efti. Historians still fail to grasp the scope of this autodidact and his historic dimension: through his actions, he has given birth to the first Black Republic in the world. We had to pay justice to this forgotten or suppressed figure of France\u2019s history. (&#8230;) This man was at the same time admired, feared and hated, both by the Whites and the Blacks. We have tried to avoid all manicheism prone to oppose good and bad et to portray a perfect and stainless hero. We wanted to show how Toussaint was prone to doubting and to which point he can provoke incomprehension.\u201d <\/i><\/p>\n<p><b>France Camus and Thierry Sorel, Directors of the Fiction Unit at France 2 <\/b><br \/><i>The richness of fictions in public service is its diversity, the possibility to discover, it is also the elucidation of lesser known parts of our history. It consists in telling the stories of historic figures with an incredible destiny. In 1791, when Toussaint Louverture enters History, he is 48 years old, he becomes an icon and emblem for all oppressed peoples.&nbsp; (&#8230;) Since the genesis of this project, our wish, and that of the producers, has been to offer the audience a film combining intelligence and entertainment. The wager was won. The screenwriters tell us a story full of energy and passions\u2026&nbsp; The production is generous, epic, full of life \u2026 (&#8230;) it took all the determination and the passion of the producers, France Zobda and Jean-Lou Monthieux, to successfully accomplish this adventure. Thanks to them for this beautiful success of which we are very proud at France 2 ! There are projects which have to climb mountains so high\u2026 that they get wings\u2026\u201d France 2<\/i><\/p>\n<p><b>Awards:<\/b>n<\/p>\n<ul>\n<li>Best Film Award, Pan African Film, Los Angeles (USA), 2012<\/li>\n<li>People\u2019s Choice award, Pan African Film, Los Angeles (USA), 2012<\/li>\n<li>Best Actor Award (Jimmy Jean-Louis), Pan African Film, Los Angeles (USA), 2012<\/li>\n<li>Special Mention from the Jury, Festival Vues d\u2019Afrique, Montr\u00e9al (Qu\u00e9bec), 2012<\/li>\n<li>Notre Afrik Award for Best Actor (Jimmy JEAN-LOUIS), Festival Vues d\u2019Afrique, Montr\u00e9al (Qu\u00e9bec), 2012<\/li>\n<li>Best Diaspora Film Award, The Africa Movie Academy Awards (Oscars Africains), Lagos\/NIGERIA, 2012<\/li>\n<li>People\u2019s Choice Award, Trinidad &amp;Tobago Film Festival <\/li>\n<li>Best Actor Award (Jimmy JEAN-LOUIS), Trinidad &amp;Tobago Film Festival<\/li>\n<li>Best Director Award (Philippe NIANG), Boston(USA), The Motion Picture Association of Ha\u00efti, 2012 <\/li>\n<li>Best Film Award, New York (USA), The People\u2019s Film Festival, 2013.<\/li>\n<li>Special Mention for Best Director (Philippe Niang), Festival International du film de Zanzibar (ZIFF), 2012<\/li>\n<\/ul>\n<p>n<b>Director: Philippe Niang<\/b><br \/>After studying in Nice, France, and in Paris at the prestigious IDHEC (High Cinematographic Studies Institute), Philippe Niang became an assistant for television. Thereafter, he directed many documentaries, and then his first features, being also the screenwriter for TV programs including \u201cMammy Mamours\u201d, shot in Senegal, and \u201cGaffe Loulou !\u201d, for which he won the Golden Angel award at the International Film Festival of Nice. As a director and screenwriter, Philippe Niang&rsquo;s efforts include directing French actor Guy Marchand in an episode from the TV series \u201cNestor Burma\u201d, creating the famous TV series \u201cJosephine, the Guardian Angel\u201d, writing \u201cA Black Baby in a White Cradle\u201d (selected in the TV Festival of Luchon) as well as \u201cThe Big Brothers\u201d, among many others. Another landmark in Philippe Niang&rsquo;s career was his meeting the two producers of Eloa Prod, France Zobda and Jean-Lou Monthieux, with whom he shares many convictions; for them, he wrote and directed \u201cProhibited Love\u201d (selected in the FESPACO &#8211; Pan African Film Festival of Ouagadougou, Burkina Faso; in the African Diaspora International Film Festival in New York; and in the Vues d\u2019Afrique film festival in Montreal) and \u201cToussaint Louverture\u201d. And to share all this experiences, he teaches at CEEA : Conservatoire Europ\u00e9en d\u2019Ecriture Audiovisuelle.<\/p>\n<p><b>Filmography<br \/>Author<\/b>n<\/p>\n<ul>\n<li>1993 : Les Aventuriers d&rsquo;Eden River<\/li>\n<li>1997 : Jos\u00e9phine, ange gardien<\/li>\n<li>1997 : Miracle \u00e0 l&rsquo;Eldorado<\/li>\n<li>1999 : Gaffe Loulou !<\/li>\n<li>2003 : Les Grands Fr\u00e8res<\/li>\n<li>2003 : Un b\u00e9b\u00e9 noir dans un couffin blanc<\/li>\n<li>2004 : Vous \u00eates de la r\u00e9gion?<\/li>\n<li>2005 : Si j&rsquo;avais des millions<\/li>\n<li>2007 : Le Fant\u00f4me du lac<\/li>\n<li>2009 : Pas de toit sans moi<\/li>\n<li>2009 : Les Amants de l&rsquo;ombre<\/li>\n<li>2012 : Toussaint Louverture<\/li>\n<\/ul>\n<p>n<b>Director<\/b>n<\/p>\n<ul>\n<li>1989 : Un priv\u00e9 au soleil, trois \u00e9pisodes<\/li>\n<li>1997 : Miracle \u00e0 l&rsquo;Eldorado<\/li>\n<li>1998 : Nestor Burma \u00e9pisode Une aventure de Nestor Burma<\/li>\n<li>1999 : Gaffe Loulou !<\/li>\n<li>2000 : Le Crocodile<\/li>\n<li>2007 : Le Fant\u00f4me du lac<\/li>\n<li>2009 : Les Amants de l&rsquo;ombre<\/li>\n<li>2012 : Toussaint Louverture<\/li>\n<\/ul>\n<p>n<b>German Premiere<br \/>Toussaint Louverture<br \/>Philippe Niang, Fiction, France, 2012, 180 min.<br \/>With: Jimmy Jean-Louis, A\u00efssa Ma\u00efga, Arthur Jugnot, Pierre Cassignard, Eric Viellard, Magloire Delcros-Varaud, Philippe Caroit, F\u00e9odor Atkine, Ruddy Sylaire, Hubert Kound\u00e9, Thierry Desroses, Yann Ebong\u00e9, Val\u00e9rie Mairesse, Sonia Rolland<br \/><\/b><br \/><b>Sunday, 24 Novembre 2013<br \/>17h00 <br \/>Entrance Fee: 14,00 \u20ac (2 Films of 90 min. each)<\/b><\/p>\n<p><b>Tickets &amp; Information<\/b><br \/>030\/ 283 4603<\/p>\n<p><b>Hackesche H\u00f6fe Kino<\/b><br \/>Rosenthalerstr. 40\/41<br \/>10187 Berlin<br \/>S Hackescher Markt<br \/>U Weinmeisterstra\u00dfe<\/p>\n<p><b>Support our Work through a Donation:<\/b><br \/>AfricAvenir International e.V.<br \/>Badische Beamtenbank<br \/>BLZ 66 09 08 00<br \/>Kto 00 16 72 13 03<\/p>\n<p><b>More Information:<\/b><link http:\/\/www.africavenir.org>www.africavenir.org<\/link>\n","protected":false},"excerpt":{"rendered":"<p>On Sunday 24 Novembre 2013 at 17h00 AfricAvenir invites you to the German Premiere of the fiction film \u00ab Toussaint Louverture \u00bb by french-senegalese director Philippe Niang, the long overdue first fiction ever made about the man who, born into slavery, became a General in the French army and even defied Napoleon\u2019s power by making&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[85,106,107],"tags":[],"class_list":["post-887","post","type-post","status-publish","format-standard","hentry","category-events","category-filme","category-kolonialismus-und-dekolonisierung"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>German Premiere: \u201eToussaint Louverture\u201c with Director Philippe Niang in Attendance, Sunday, 24 November 2013, 17h00, Hackesche H\u00f6fe Kino &#8211; 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