On Thursday, 15th of August at 20h45<\/b> AfricAvenir <\/i>and Sunugal e.V.<\/i> invite you to the open air cinema Freiluftkino Hasenheide for the screening of the Cult Film and Road-Movie Classic \u201cTGV-Express\u201d<\/b> by MoussaTour\u00e9<\/b>. Produced in the mid-nineties \u201cTGV\u201d is one of the most successful African comedies of all times. With perfectly orchestrated dialogues Tour\u00e9\u2019s brilliantly composed random travel party teasingly and laughingly heads from one allusion to the next. A real highlight of African cinema!<\/p>\n
\u201cMoussa Tour\u00e9, who learned his craft from Tavernier and Truffaut, describes Africa\u2019s transitional situation by showcasing a travelling party. Far from simplifying, rather with many surprising situations, a plausible arsenal of characters and a charmingly outrageous mixture of comedy and tragedy his TGV combines sharp social analysis and political farce. All this is presented in such an entertaining way and with a sweeping soundtrack that the audience, much like in Luis Bu\u00f1uel \u201cAscent to heaven\u201d, feels like joining the journey at any time.\u201d Kino.de <\/i><\/p>\n
The film will be screened in collaboration with: Kairos Filmverleih, taz, Zitty, INKOTA-Netzwerk<\/link>, Plan\u00e8te M\u00e9tis, Club des amis de RFI, Berlin Poche, rendez-vous-cine.de<\/link>, Exberliner, Rosa Luxemburg Foundation and Radio multicult.fm<\/p>\n
Synopsis<\/b>
Protagonist of this road movie classic is a multicoloured ramshackle bus which connects Conakry to Dakar. His owner and driver \u201cRambo\u201d has affectionately nicknamed it "TGV Express" like the French high-speed train. But Rambo is in trouble when his next trip seems compromised by the revolt of the Bassari people, who have taken up arms against central power at the border to Guinea. A handful of passengers decide to undertake the trip anyway \u2013 among them a fugitive ex-minister, a French ethnologist couple searching for traces of the Mandingo civilisation and two competing Marabouts (spiritual leaders), who despite their astonishing magical capacities are not always able to arrange for enough cooling water. Of course, the bus gets into one adventurous situation after the other and Rambo and his assistant Demba have not little trouble getting their diverse travelling party through all the rigors of the savannah and the political turmoil safely to their destination.<\/p>\n
Awards:<\/b>
1998: Special Award from the selection committee, ACCT award for best movie, award for best comedy, and award for best leading actor (comedy) at the Festival International du Film Francophone de Namur
1998: Audience Award Film Festival Mannheim-Heidelberg
1999: Audience Award at the Festival in Mailand
2000: Award from the selection committee at the film festival CinemAfrica<\/p>\n
About the director Moussa Tour\u00e9<\/b>
Born in Dakar, Senegal, MoussaTour\u00e9 enters the film industry as an electrician, becoming assistant director and finally directing his first own short, \u201cBaram,\u201d in 1987. His first feature, \u201cToubab Bi,\u201d made in 1991, is honoured with awards at numerous film festivals. In 1987 he founds with Les Films du Crocodile his own production company in Dakar, primarily to finance his documentary works for which he receives numerous awards. In 1997 he directs \u201cTGV Express\u201d which is a real popular success in Africa and wins the Special Jury Prize at the Namur Festival and the Audience Award at the 1998 Mannheim Festival. After further short-, documentary and grand movies, he founds the \u2019\u2019 Moussa Invite\u201c film festival in the outskirts of Dakar showcasing African documentaries. In 2011 he is nominated to chair the jury of the documentary film section at FESPACO, the Pan-African film festival in Ouagadougou. His new film \u201cLa Pirogue\u201d was premiered at the official selection of the Cannes Festival in 2012 and has since won numerous awards.<\/p>\n
Moussa Tour\u00e9 about the Film<\/b>
\u201cI am African with an African perspective and I make African cinema. [\u2026] But not the African cinema Europeans think of, the cinema of folklore, of exotism, of slowness, not that laughing, na\u00efve Africa. I categorically refuse that. I try to make cinema which one can identify with.\u201d Moussa Tour\u00e9<\/i><\/p>\n
Press Reviews<\/b>
\u201cThis delightful adventure is also a satirical comedy and a fable that reflects the situation of Western Africa in 1997, the year in which the film was shot – on the necessity of keeping the bus rolling (democracy?) despite the hindrances inevitably set on its path by the holders of traditional authority and the corrupt agents of modern power. MoussaTour\u00e9 brings us a range of delectable portraits and peppers his tale with a few tasty anecdotes while the film cruises towards its final destination to the tunes of Wasis Diop.\u201d FIFF 2009<\/p>\n
\u201cTour\u00e9 has landed a coup. His TGV succeeds not least because of the brilliantly directed and motivated ensemble of actors but is also one of the most entertaining and intelligent movies from Africa ever shown in our cinemas.\u201d Michael Lang, Zoom 2\/99<\/p>\n
\u201cThe director Moussa Tour\u00e9 presents the diverse travelling community as a microcosm of modern African society with all its contradictions of superstitious beliefs and technology, political emancipation and corruption. Meanwhile he spices up his subject with enough laconic humour that the one and a half hours of the movie pass by like you were sitting in the real TGV.\u201d Andreas Friedrich, Cinema.de<\/p>\n
\u201c\u2019TGV-Express\u2019 is an exquisitely colourful and exciting road movie, a successful mix of comedy and melodrama accompanied by Wasis Diop\u2019s beautiful music. The bus drives through a war area and carries a microcosm of the Senegalese society (\u2026). The movie can be read as allegory \u2013 but it can also simply be highly amusing. Because \u201cTGV-Express\u201d has a lot to offer: an interesting ensemble of excellently staged characters (acting brilliantly throughout the movie), delectable humour and pragmatism (car repairs with chewing gum!), the wonderful scenery shots and not least the great music. A highlight of African cinema!\u201d Spielfilm.de <\/p>\n
\u201cSomewhere between exemplary chamber drama and relaxed road movie, director Moussa Tour\u00e9 in TGV-Express draws a picture of African societies torn between modernity and tradition. Civil war, drug crimes, religious ritual sacrifices, patriarchal polygamy and emerging emancipation of women \u2013 these contradictions collide in the tight space of a minibus without engendering a political tragedy. With a light touch and an incredible sense for bizarre details Moussa Tour\u00e9 stages a Pan-African road movie which also convinces through bright colours and exquisite landscape shots.\u201d Marin Schwickert, Ultimo<\/p>\n
\u201cMoussaTour\u00e9 has disturbed the cosy African slowness with his movie TGV. [\u2026] He is part of a new generation of moviemakers who cater from the world culture of images in the west, east, north or south. A phenomenon critically observed by identity apostles. His and the aim of other moviemakers from different parts of the world is to experiment with the contemporary material found, without dividing it into good or bad through predominant cultural lenses\u201d Radio DRS2<\/p>\n
\u201cA movie looking ironically at the conditions in Westafrica and avoiding any folklore which hardly any European or American movie about Africa seems to accomplish.\u201d (Thomas Steinberg, kieze.V., Dessau, 2004)<\/p>\n
\u201cThe Senegalese director MoussaTour\u00e9 shows in his movie \u2018TGV-Express\u2019 what American or European productions rarely do: the completely normal African absurdity, [\u2026] The African road movie gathers momentum with a lot of humour and slapstick and accomplishes in 90 entertaining minutes none less than a contemporary stocktaking of African conditions.\u201d (Tilman Weigele, 2000, Stuttgarter Nachrichten)<\/p>\n
\u201cTGV-Express\u2018 combines flush dramaturgy with tasteful presentation and not least an inconspicuous message. Without resorting to any folklorism or embellishing things Director Tour\u00e9 creates a powerful cinematic language. Meanwhile, the traveling party represents an allegory of African societies in radical transition.\u201d Claus L\u00f6ser, Tip, Berlin 10\/99<\/p>\n
\u201cTGV describes a bus journey from Senegal to Guinea in a starkly cheerful manner and at the same time establishes contradictions of African history and presence.\u201d Eva-Maria Lenz, Frankfurter Allgemeine Zeitung <\/p>\n
\u201cBy means of wonderful pictures and a careful eye for details, Tour\u00e9 shows the manifold problems of an African state. The great merit and art of the movie is to have \u2018packaged\u2019 these issues into the ease and vibrancy of a road movie and to have transformed it into vital optimism.\u201d Stefan Stiglbauer, Multimedia<\/i> <\/p>\n
Filmography nnDocumentaries<\/b>:n<\/p>\n n Thursday, 15th of August 2013 Freiluftkino Hasenheide Tickets and Information<\/b> Support our activities with a donation<\/b> Further information<\/b>www.africavenir.org<\/link>\n","protected":false},"excerpt":{"rendered":" On Thursday, 15th of August at 20h45 AfricAvenir and Sunugal e.V. invite you to the open air cinema Freiluftkino Hasenheide for the screening of the Cult Film and Road-Movie Classic \u201cTGV-Express\u201d by MoussaTour\u00e9. Produced in the mid-nineties \u201cTGV\u201d is one of the most successful African comedies of all times. With perfectly orchestrated dialogues Tour\u00e9\u2019s brilliantly…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[85,106,107],"tags":[],"class_list":["post-933","post","type-post","status-publish","format-standard","hentry","category-events","category-filme","category-kolonialismus-und-dekolonisierung"],"acf":[],"yoast_head":"\n
Features:<\/b>n<\/p>\n\n
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TGV EXPRESS
Senegal\/France 1997, 90 min, 35 mm
D: Moussa Tour\u00e9, withMak\u00e9naDiop, Al HamdouTraor\u00e9, Bernard Giraudeau, Jos\u00e9phine M\u2019Boup
Soundtrack: WasisDiop<\/b><\/p>\n
20h45
Admission: 7,00 \u20ac
Reductions: Berlinpass, Gildepass, Heavy User Card, Filmreihe-Pass<\/b><\/p>\n
<\/b>Inside Volkspark Hasenheide, 12049 Berlin-Neukoelln
Access: Hasenheide or Karlsgartenstr.
Metro connection: U7 Hermannplatz\/ U8 Boddinstrasse<\/p>\n
030 – 283 46 03
Ticket Office opens 30 minutes before screening.<\/p>\n
AfricAvenir International e.V.
BadischeBeamtenbank
BLZ 66 09 08 00
Kto 00 16 72 13 03<\/p>\n